JASMINES JUICE- MOBOVATION VIP CHAMPAGNE BREAKFAST.

ALL PICS COPYRIGHT JASMINE DOTIWALA JMEnternational AND MOBO.

chukka best
CHUKA UMUNNA MP, MOBO CEO KANYA KING MBE, JASMINE DOTIWALA, MITCH WINEHOUSE, LABRINTH AND JERMAIN JACKMAN CELEBRATE THE LAUNCH OF MOBOVATION AND UNSUNG MOBO.

The great and the good from the music industry, gathered on Tuesday morning, at ROAST restaurant in Borough Market, for a fancy champagne breakfast launch for two reasons; MOBOvation- a photography exhibition that celebrates 18 years of MOBO and showcases talent and performances from the annual MOBO Awards ceremonies the exhibition is on display at Roast until November 2014.

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A VERY YOUNG CRAIG DAVID FEATURES IN THE MOBOVATION ART EXHIBITION.

The images selected from the MOBO archives feature acts who have shaped the musical landscape spanning over two decades and various musical genres with iconic photographs and stories of such talent as diverse as a very young Craig David, a fresh Amy Winehouse, the original four piece band that were Destiny’s Child, legend Sade, materialistic hip hop pimp 50 Cent, the uber talented Emeli Sandé, a then new, much less sharp Tinie Tempah and musical whizz Labrinth taken during stage performances and acceptance speeches. The second reason was to launch their annual MOBO UnSung competition.

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MITCH WINEHOUSE AND JERMAIN JACKMAN LISTEN TO KANYA’S SPEECH.

The invite stated a 9.30am start and by 9.35am sharp, punctual media heavy weights and key influencers like former BBC chief creative officer Pat Younge, entertainment impresario Jonathon Shalit OBE, The RTS’s retired chief executive Simon Albury, The Voice newspaper editor George Ruddock, Chuka Umunna MP, The Guardian’s Joseph Harker, Amy’s father Mitch Winehouse and more were sat knocking back strong coffee’s and full English breakfasts. I was sat between former RTS Chief Simon and former BBC Chief Pat both whom were great company.

MOBO CEO Kanya King MBE welcomed industry professionals and distinguished guests and thanked them for their loyal support of her brand for the past 18 years. She reminded us that MOBO had been created to champion young music focused youth and given a platform to urban music acts for the longest time. Founded in 1996, the MOBO Organisation was established by Kanya to recognise the outstanding achievements of artists who perform music in genres ranging from Gospel, Jazz, RnB, Soul, and Reggae to Hip Hop. Over the past 18 years MOBO has played an instrumental role in elevating black music and culture to mainstream popular status in the UK. MOBO has since become Europe’s leading urban music brand supporting urban music talent in various ways.

Kanya said, “We are proud to have been supporting music for nearly two decades and to be able to showcase some of the many dynamic acts that have graced the MOBO stage over the years. Every image has a story and we are hoping by sharing these incredible stories of passion and professionalism combined with relentless determination that we will inspire many other acts who are trying to forge a career in music.”
As well as reminding us about why MOBO exists, Kanya also called upon acclaimed MOBO artists including Labrinth, Akala, Jahmene Douglas (X Factor finalist and a beacon for gospel music) and Jermain Jackman (The Voice Winner) to talk about their own experiences and memories of the MOBO brand.

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JASMINE WITH AKALA AND FRIENDS.

Akala reminded us about why the brand was important to all British urban talent both commercial and underground, and told me afterwards that he has a very new exiting 45-minute long running, no break, style concept album coming. Chuka was warm and welcoming to all that approached him and thanked me for my support over the past few years, he too is an incredible advocate for young diverse issues. Jonathan Shalit OBE gave a moving speech about the MOBO brand having supported and championed his own talent like Jamelia and N Dubz over the years when others hadn’t been interested and that he admired Kanya’s tenacity very much. He reminded us that last years MOBO host Sarah Jane Crawford had been given a platform to showcase her TV presenting skills and now had won the Xtra Factor show lead job.

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JASMINE WITH JERMAIN AND JAHMENE.- 3 THATS THE MAGIC NUMBER!

Straight afterwards Kanya excitedly told me ‘’ my favourite part about this morning was the content and the passion of the various speeches. Akala (Name is a Buddhist term for immovable and he is) talked about having a sustainable career in music despite the challenges he had overcome whilst being an independent. Jermain talked about his incredible journey so far and his ambitions for the future. Jonathan talked about the context of MOBO and all the artists and hosts that MOBO had been a stepping-stone for. I truly meant it when I said at the end of my speech thank you for listening because everyone truly did.

My other favourite bit was that we now have a document of the monumental images of many of the talented acts that have been successful in the urban landscape!’’.

After the speeches we were encouraged to walk around the restaurant and look at the beautiful portraits by photographers over the years and it was indeed impressive to be reminded just how many new, young acts had been given a platform in the wider commercial world when no others had been interested. Nowadays of course urban music is the pop music of this generation, but every now and again, like when the BRIT Awards totally snub UK urban acts, you’re reminded why we still and always will need a platform of our own.

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MITCH WINEHOUSE, KANYA KING AND ROAST RESTAURANT OWNER IQBAL WAHHAB.

Before we left we were reminded that the breakfast was also to launch the newly expanded MOBO UnSung competition, which is an initiative, dedicated to identifying and celebrating the next generation of talent in music. The contest offers a once in a life-time opportunity to champion creative individuals who are showing great promise to make it happen – the purpose is to inspire them to push through challenges whilst holding on to their creativity. By providing studio time with producers, year-round mentorship, career guidance and vital contact introductions, they are being well prepared for a potential career in music.

The project also offers a skills and talent development opportunity to an area of the industry, which generally receives little, support and has had little infrastructure until this year. Now it seems that every government body and funder is setting up new opportunities to get youth into the music industry.

As I’ve always stated, its not getting their feet in the door that matters, but a long-term career progression route. It’s easy to open a door into the industry for a few weeks or months but the issue with diversity is keeping diverse people in the music game. In any case, learning from the MOBO project will be aired online to be of use to a wider community and the artists will be encouraged to pass their knowledge on and collaborate.

If you’re an unsigned act or manager then details on how to enter #MOBOUnsung can be found on www.mobo.com/unsung

MOBO is a part of a movement that’s been steadily growing for years. Our generation of key players in the music and media industry weren’t content to sit back, play second fiddle and beg to be invited to the industry consistently. Many of us decided to make a stand. We regularly pool our resources to make new stars, push forwards new brands, help media train new talent, advise and consult and stand strongly together.

When you can’t get into the establishment you create your own lane.

Hampton Court Palace Festival- Where Horticulture Meets Culture To Make For A Magical Musical Experience.

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THE STAGE AT HAMPTON COURT PALACE FESTIVAL AT DUSK.

In recent years various arts genres have been merging, making for incredible one off experiences. Whether it’s free running at 10 Downing Street, hip hop at the Turner Rooms at Tate Britain or film and live music performances of their soundtracks at the Royal Albert Hall, I am a huge fan of a cultural mash-up.

No longer do we need to settle for music performances at the traditional venues, and summertime means a plethora of outdoor music at prestigious venues, like the Royal Parks, World Heritage Sites, Historic Royal Palaces, Manchester United FC, Corporation of London and the Royal Botanic Gardens Kew.
However, these are very niche in their usual audience ‘posh concerts for the hamper set ‘ and those in the know, snap up tickets fast. So if you don’t know about these events you’ll miss out. So how it’s been going for 22 years and this is the first a die-hard music fan like me has heard of it I don’t know. I really need to up my game!

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THE GARDEN LAWN WHERE YOU PICNIC PRIOR TO THE SHOW.

Hampton Court Palace Festival is one of music’s best-kept secrets. In a nutshell, the grounds host a pre show picnic, which you can either buy in advance or bring your own. The actual music shows take place in the intimate courtyard of the Palace, which seats 3000 and is flanked by the majestic palace quarters and turrets. People who have previously performed at the Festival include: Cliff Richard, Elton John, Eric Clapton, Liza Minnelli, Frankie Valli, Van Morrison, Russell Watson, James Blunt, James Morrison, Bryan Adams, Caro Emerald, Katie Melua, Andrea Bocelli, Darcey Bussell, Jose Carreras, Joaquin Cortes, The Gipsy Kings, Katie Melua, Bryan Adams, Bryn Terfel, Brian Wilson, Katherine Jenkins, Rufus Wainwright, Tracy Chapman and Art Garfunkel to name a few.

This year the festival runs from 11th – 25th June, and amongst the line up for this season are ten-time Grammy award-winner George Benson (who will performing hits like Give Me The Night, Lady Love Me (One More Time) and Turn Your Love Around on 23rd June – come on! the perfect date surely?), diva Dionne Warwick, The original boy band- The Beach Boys, legend Van Morrison & the most successful UK jazz artist ever Jamie Cullum.

CHAMPERS

This past weekend I attended the classical gala and fireworks evening where The Royal Philharmonic Concert Orchestra performed a selection of well known pieces of music by masters of classical music like Strauss, Delibes, Debussy, Elgar, Tchaikovsky and more in Henry VIII’s open air courtyard.

We arrived at 5.30pm for our own meagre pre-packed supermarket special picnic and Proseco, which we bought, on site. Loads of what looked like VHNWI (Very High Net Worth Individuals) were merrymaking and supping champagne in the Palace Gardens before the concert started and time flew as we people watched. It’s a very bourgeois set up but the crowd came from all walks of life and it felt very inviting and inclusive.

PIZZA
YOU CAN BUY WOOD FIRED PIZZA.

Whilst heritage parks may have a certain type of visiting demographic, adding a music element in the grounds opens up a whole new audience and visitor to the beauty of some of the greatest locations in the country. The tickets range between £40-£70 and during the show we were thanked for our support as all proceeds go towards the upkeep of the venue, giving these palaces a future as long and valuable as their past. When you consider that your average pop concert at the 02 and one off Prince tickets sell for hundreds nowadays, the festival package and experience for around seven hours finishing up with a fireworks display seems more than reasonable!

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A PRIVATE WATERSIDE GAZEBO.

I noted that if you’re feeling really flush, you can book VIP Packages from £295 p/p, with dining inside the Palace prior to the concert and covered VIP seating, reserve a waterside gazebo table for a private group experience (£200), pre book a luxury picnic (£75), or simply bring your own picnic blanket and scatter yourselves across the immaculately preened lawns. The people-watching is first class! From the loved-up couples sharing a pre-packed picnic, to the families with young kids scarpering around, to the silver haired music fans sharing a bench, time flies when you’re ogling.

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CONDUCTOR BEN DOES HIS THING.

The concert began at 8.30pm and was conducted by Conductor Ben Palmer, who shared wonderful anecdotes and stories about many of the pieces on the night and with his jovial, warm, engaging manner, the breathtakingly beautiful music was mesmerising.

I had initially been concerned at my ability to stay focused and not get bored as I’m so used to have some sort of spectacle performing alongside music gigs, (my friend says this means I’m uncultured LOL). It didn’t take me long to realise that the orchestra were spectacle enough. Just watching them at such close quarters is hypnotising as they work seamlessly together. The solo players catch your attention at every new bar, the flute player who jigs and bobs as he performs, the female drummer commanding our attention or the whole band bringing us to a crescendo! Nothing is rigid and audience walk in and out of the concert in between sets, as they need.

As soon as the concert finished the audience excitedly rushed back out to the main garden grounds to take their preferred spots for the fireworks display which began 20 minutes later. The fireworks were more quality than quantity and after a quick 15 minutes worth of spectacular colourful aerial displays, which provided a visual fanfare to round off this superb evening, we sauntered back to our cars.

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POST SHOW FIREWORKS OVER HAMPTON COURT PALACE.

Hampton Court Festival really is a festival that offers everything – preshow outdoor picnic and drinks in a breath taking setting, a wonderful selection of stalls that sell wood fire pizza and snacks, a diverse line up of music acts, all set within a beautiful and historic setting and if you’re extra lucky – as we were- no rain!

On 20th June, pop sensations Rick Astley and Jason Donovan are performing a double-header singing all their big hits but readers, even though I like to think I’ve upped my cultural game I don’t think I could handle the cheese fest that is Rick and Jason. Not that it matters- the night sold out ages ago! I shouldn’t scoff. Rick Astley still holds the record of being the only male solo artist to have his first 8 singles reach the UK Top Ten and in 2008 he won Best Act Ever at the MTV Europe Music Awards.

If you still want to get involved this year it’s all sold out except for a few tickets available for Opera on a Midsummer’s Night on 21st June where the Royal Philharmonic Concert Orchestra will present a special midsummer concert conducted by Renato Balsadonna and featuring the beautiful voices of soprano Deborah Norman and rising star Noah Stewart.

The best music festivals aren’t necessarily the ones at the biggest concert halls, or at campsites over numerous unwashed days, in car parks or farms. Nor is it imperative to have the biggest musical names or huge lineup. Sometimes they can be a great classic music act, juxtaposed with an unusual location, a classy crowd and dining option. And where else in the world does fancy historic English gardens with an ancient historic setting and the chance to sing along to your favourite music virtuoso like we do? Hampton Court Palace Festival really is in a league of its own.

My experience was akin escaping to an enchanted garden back in yesteryear and being fed and watered for the best part of the day. An experience, which is like no other and involves dining, horticulture, history, music and fireworks. An adventurous music festival day out, but without any of the usual associated discomforts. If you’re going to do a music festival then this is the one to taste with all your senses.